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Michael Ovitz

Creative Artists Agency (CAA) · 1946–
Born 1946

Michael Ovitz co-founded Creative Artists Agency with four colleagues in 1975. He had worked as a Universal Studios tour guide and entered the William Morris Agency through its mailroom. His early career gave him a close view of how agents, studios and performers worked together. At CAA he helped build a business that combined the work of many agents around a client, rather than leaving each client with one isolated representative. The agency assembled writers, directors and actors into projects that studios could buy. This gave its clients more influence over how films were made and who would make them. Ovitz also pushed the agency into corporate deals and advertising. His own account describes advising on studio transactions and winning Coca-Cola’s global advertising work in 1991. These moves took CAA’s knowledge of talent and culture into other markets. Ovitz chaired CAA until 1995, when he became president of the Walt Disney Company. His time at Disney was brief: he was terminated without cause in December 1996. Later he formed a group of talent-management and production businesses, sold them in 2002 and developed interests in technology investing. His 2018 memoir, Who Is Michael Ovitz?, looks back at both his dealmaking and its personal costs. It is a participant’s account, with the limits that come with that position. In his later interview with David Senra, Ovitz describes service as close attention: learning a client’s frame of reference, finding skilled people and making time for staff problems. He also admits that giving other people advice did not protect him from poor choices of his own. His career offers a useful study of how a service firm builds shared knowledge, expands its work and tests the judgment of its leaders.

Which books are linked to Michael Ovitz?

These are examples from the documented shelf. Each label describes the connection; a book on the shelf is not always a recommendation.

See the full shelf and source notes
Contents

Career highlights

  1. 1968Joins the William Morris Agency mailroom after attending UCLA.
  2. 1975Co-founds Creative Artists Agency with four former William Morris colleagues.
  3. 1991CAA wins Coca-Cola’s global advertising account.
  4. 1995Leaves the CAA chairmanship and becomes president of the Walt Disney Company.
  5. 1999Launches a related group of talent-management and film and television production businesses.
  6. 2002Sells those management and production businesses.
  7. 2018Publishes his memoir, Who Is Michael Ovitz?, with Portfolio.

Lessons for founders

Podcast coverage

4×
  1. Founders#53 Who Is Michael Ovitz? — January 1, 2019
  2. Founders#381 I Had Dinner With Michael Ovitz — March 7, 2025
  3. Founders#382 Who Is Michael Ovitz?: The Rise and Fall (and Rise) of the Most Powerful Man in Hollywood — March 7, 2025
  4. David SenraMichael Ovitz — November 23, 2025

Read about them

5
The Agency: William Morris and the Hidden History of Show Business
Frank Rose
Rose’s history of William Morris includes Ovitz’s apprenticeship, the founders’ departure and the rise of CAA as a rival. The author supplies an authorized excerpt focused on the CAA founding. This is subject coverage, not Ovitz’s reading or endorsement. source ↗
Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency
James Andrew Miller
Miller’s CAA oral history draws on direct access to Ovitz and Ron Meyer, alongside clients and rivals. It follows the firm they built and its later expansion. This is a reported company account, not a claim that Ovitz read or recommended it. source ↗
The Mailroom: Hollywood History from the Bottom Up
David Rensin
The publisher names Ovitz among the former mailroom workers whose careers form part of Rensin’s interview-based history. This is career coverage within a larger oral history, not Ovitz’s authorship or recommendation. source ↗
DisneyWar
James B. Stewart
Stewart’s account examines Ovitz’s appointment as Disney president and the failed working relationship that followed. The publisher identifies this as a central question in the book. It is about his Disney tenure, not a recommendation by him. source ↗
Ovitz: The Inside Story of Hollywood's Most Controversial Power Broker
Robert Slater
Slater's biography covers Ovitz's CAA career and Disney exit and draws on interviews with him and Hollywood colleagues. This is substantial career coverage, not Ovitz's own writing or recommendation. source ↗

In their own words

1
Who Is Michael Ovitz?
Michael Ovitz
Ovitz’s own account of CAA, Hollywood dealmaking and the personal cost of his career. The publisher confirms authorship; it is not an independent biography or a reading recommendation. source ↗

Books on their shelf

6
The Art of War
Sun Tzu, translated by John Minford
Repeated reading; historical business influenceIn a 2001 original interview, Ovitz says he read the book 20 times and used it as an earlier CAA game plan. He also says it no longer fitted his work at AMG. The source does not identify a translation. The catalog uses Minford’s 2003 edition, which postdates that interview and is not claimed to be Ovitz’s copy. source ↗
Mind Your Own Business
Sidney Harman
Confirmed readingOvitz confirms reading Sidney Harman's book when Senra names it. This establishes reading, not a recommendation. His edition is unknown. source ↗
Shoe Dog: A Memoir by the Creator of Nike
Phil Knight
Confirmed readingOvitz answers yes when asked whether he has read Phil Knight's memoir. He then discusses his work with Knight. No claim is made that the book caused their business choices; his edition is unknown. source ↗
Jurassic Park
Michael Crichton
Read and used for film packagingOvitz read Crichton's rough draft and describes using it to assess the film package: dinosaurs reduced the need for an expensive star, and Spielberg had the skills to make it. He sent the book to Spielberg. The later catalog edition is not his draft. source ↗
Picasso's War
Hugh Eakin
Named praise and discussionOvitz names and praises the book while discussing Abby Rockefeller and MoMA. Full reading and any use at CAA are not established. Its fit is the book's account of building a market and an institution around unfamiliar art; that is an editorial comparison. source ↗
Jasper Johns
Michael Crichton
Explicit praise of an art studyOvitz calls Crichton’s study of Jasper Johns the definitive book in his original Senra interview. He also says the book is on his desk. Praise is the basis of this link; ownership alone is not used as reading proof. His edition and extent of reading are unknown. source ↗

Similar taste

Founders who share the most book recommendations with Michael:

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Sources

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