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George Lucas

Lucasfilm · Industrial Light & Magic · 1944–
Born 1944

George Lucas founded Lucasfilm in 1971 to support films he wanted to make on his own terms. He grew up in Modesto, California, and studied filmmaking at the University of Southern California. His interests joined art, photography, machines and stories. Before starting Lucasfilm, he worked with Francis Ford Coppola at American Zoetrope and made his first feature, THX 1138. The company’s financial problems after that film helped push him toward an independent business. Lucasfilm’s first production was American Graffiti, released in 1973. Its story drew on the cars, music and uncertainty of the world Lucas knew as a teenager. The film gave his new company a successful start. Star Wars required a different kind of preparation: the images Lucas imagined could not be made with an existing production setup. In 1975 he founded Industrial Light & Magic and brought in specialists, including visual effects supervisor John Dykstra, to build the tools and methods the film required. He also hired sound designer Ben Burtt, whose work helped start a lasting sound business. The release of Star Wars in 1977 supported more than sequels. Lucasfilm developed licensing, publishing, sound, games and digital production tools. Its Computer Division was sold to Steve Jobs in 1986 and became Pixar. Lucas’s company thus grew through work that served the making of stories, while some of that work became useful to other filmmakers or independent businesses. In 2012 he brought Kathleen Kennedy in as president and sold Lucasfilm to Disney. Lucas’s reading gives another view of his craft. He recalls liking adventure books such as Kidnapped, Treasure Island and Huck Finn. He also credits Joseph Campbell’s The Hero with a Thousand Faces with helping him organize his ideas for Star Wars. These are specific accounts of literary taste and influence. They show a filmmaker drawing on earlier stories while building the practical means to tell new ones.

Which books are linked to George Lucas?

These are examples from the documented shelf. Each label describes the connection; a book on the shelf is not always a recommendation.

See the full shelf and source notes
Contents

Career highlights

  1. 1971Establishes Lucasfilm after making THX 1138 at American Zoetrope.
  2. 1973American Graffiti is released as Lucasfilm’s first production.
  3. 1975Founds Industrial Light & Magic to make the visual effects for Star Wars; hires Ben Burtt for sound design.
  4. 1977Star Wars is released and supports Lucasfilm’s expansion.
  5. 1978Lucasfilm expands the Star Wars consumer-products and publishing business.
  6. 1982Lucasfilm Games is established.
  7. 1986Lucasfilm’s Computer Division is sold to Steve Jobs and becomes Pixar.
  8. 2012Kathleen Kennedy becomes Lucasfilm president; Lucas sells the company to Disney.

Lessons for founders

On the Founders podcast

2×
  1. #35 George Lucas: A Life — August 26, 2018
  2. #345 George Lucas — April 12, 2024

Read about them

64
George Lucas: A Life
Brian Jay Jones
Jones’s biography follows Lucas’s films, company building and work with collaborators. This is a book about Lucas, not his authorship or reading recommendation. source ↗
Industrial Light & Magic: 50 Years of Innovation
Ian Failes; foreword by George Lucas; introduction by Bryce Dallas Howard; afterword by Janet Lewin
Failes’s official history covers the effects company Lucas founded. Lucas contributes the foreword; Bryce Dallas Howard writes the introduction and Janet Lewin the afterword. These partial contributions do not establish Lucas’s authorship of the whole book, complete reading or endorsement. source ↗
Skywalking: The Life and Films of George Lucas
Dale Pollock
Pollock’s biography is separate from Brian Jay Jones’s later George Lucas: A Life. The checked copy is the 1999 updated edition; no Lucas endorsement is claimed. source ↗
Droidmaker: George Lucas and the Digital Revolution
Michael Rubin
Rubin’s history centers on Lucas and the technological work inside his company. It is not a book Lucas wrote or a personal reading recommendation. source ↗
George Lucas: A Biography
John Baxter
Baxter’s English biography. The US title Mythmaker identifies the same work and is not staged as an extra book. source ↗
George Lucas: Interviews
George Lucas; edited by Sally Kline
Kline edits Lucas’s published interviews. This is his first-person speech collected by an editor, not a sole-authored autobiography. source ↗
The Cinema of George Lucas
Marcus Hearn; foreword by Ron Howard
Hearn’s career survey, named by Lucasfilm as a research resource. Ron Howard wrote the foreword; Lucas is the subject. source ↗
The Star Wars Archives. 1977–1983
Paul Duncan
Lucas recounts the making of the original trilogy in Duncan’s archive history. Cooperation and interviews do not make Lucas the sole author. source ↗
The Star Wars Archives. 1999–2005
Paul Duncan
A distinct second archive volume covering the prequels, with Lucas’s interviews and cooperation; not a duplicate edition of the original-trilogy book. source ↗
The Making of Star Wars
J. W. Rinzler; foreword by Peter Jackson
The book documents Lucas and his collaborators making the film. Its author is Rinzler; the foreword is by Peter Jackson. No reading recommendation is inferred. source ↗
The Making of Star Wars: The Empire Strikes Back
J. W. Rinzler; foreword by Ridley Scott
The book documents Lucas and his collaborators making the film. Its author is Rinzler; the foreword is by Ridley Scott. No reading recommendation is inferred. source ↗
The Making of Star Wars: Return of the Jedi
J. W. Rinzler; foreword by Brad Bird
The book documents Lucas and his collaborators making the film. Its author is Rinzler; the foreword is by Brad Bird. No reading recommendation is inferred. source ↗
Rogue Leaders: The Story of LucasArts
Rob Smith; foreword by George Lucas
Company history of LucasArts/Lucasfilm Games, named by Lucasfilm as a research resource. Lucas’s foreword is a partial contribution. source ↗
Industrial Light & Magic: The Art of Innovation
Pamela Glintenkamp; foreword by Jon Favreau; preface by Gore Verbinski
An oral history of the company Lucas founded. Author and institutional catalog prove the published title The Art of Innovation; Creating the Impossible is a conflicting prepublication/catalog title, not a separate staged work. source ↗
Star Wars Storyboards: The Prequel Trilogy
Edited by J. W. Rinzler; introduction by Iain McCaig
The publisher explicitly describes artists working with Lucas on these films. This is a process collection, not an attribution of all drawings to Lucas. source ↗
The Lucas Effect: George Lucas and the New Hollywood
Patti J. McCarthy
A sustained study of Lucas’s business and creative influence. Strong publisher claims that he was first in several fields are not repeated as verified facts. source ↗
Howard Kazanjian: A Producer’s Life
J. W. Rinzler; foreword by Marcia Lucas
This is Kazanjian’s biography, with substantial Lucasfilm production work. Marcia Lucas wrote its foreword; it is not a George Lucas foreword or recommendation. source ↗
The Making of Star Wars: Revenge of the Sith
J. W. Rinzler
Rinzler’s print production history about Lucas’s film. The printed account ends in September–October 2004; The Final Chapter is a separate online companion ebook and is staged separately. source ↗
Les Guerres de Lucas: Épisode II
Laurent Hopman; art and colors by Renaud Roche
A nonfiction graphic sequel about Lucas making Empire and developing Indiana Jones. French edition only; no unverified English title or translation is invented. source ↗
The Making of Star Wars: Revenge of the Sith — The Final Chapter
J. W. Rinzler
A separate 56-page online companion ebook, continuing beyond the printed book’s September–October 2004 cutoff. Lucas is a subject and quoted interviewee; this does not claim his authorship or full-book reading. source ↗
George Lucas: Close Up: The Making of His Movies
Chris Salewicz
Salewicz’s account is about Lucas and his projects. It is not Lucas’s authorship, endorsement or reading recommendation. source ↗
Masters of Cinema: George Lucas
Karina Longworth
Longworth’s film study is about Lucas. The Masters of Cinema series label is part of the checked title; no personal reading or endorsement claim is made. source ↗
Empire Building: The Remarkable, Real-life Story of Star Wars
Garry Jenkins
Jenkins’s history is about Lucas’s films and the business around them. The checked work is the 1997 print edition; the revised 1999 edition is not a second work or proof that all later films were complete. source ↗
Industrial Light & Magic: The Art of Special Effects
Thomas G. Smith; introduction by George Lucas
A history of the effects company Lucas founded, with an introduction by him. The introduction credit is separate from Smith’s authorship and does not prove whole-book reading or recommendation. source ↗
Industrial Light & Magic: Into the Digital Realm
Mark Cotta Vaz and Patricia Rose Duignan; foreword by Steven Spielberg
About the company Lucas founded. The foreword is by Steven Spielberg. Lucasfilm’s resource list calls this Into the Digital Age, but publisher and library metadata establish Into the Digital Realm as the title of this 1996 work. source ↗
Once Upon a Galaxy: A Journal of the Making of Star Wars, The Empire Strikes Back
Alan Arnold
A journal of the production of Lucas’s film by its unit publicist. Distinct from Rinzler’s later making-of history. The cited Lucasfilm article also publishes Arnold’s separate press dispatches; those dispatches are not presented here as verified passages from the book. source ↗
The Secret History of Star Wars: The Art of Storytelling and the Making of a Modern Epic
Michael Kaminski
Kaminski’s unauthorized study is about the writing of Lucas’s films. No Lucas or Lucasfilm endorsement, authorship, reading or recommendation is claimed. The checked ISBN identifies the 2008 print work, not the earlier free ebook. source ↗
Star Wars: The Making of Episode I, The Phantom Menace
Laurent Bouzereau and Jody Duncan
The book documents Lucas directing a Lucasfilm production and includes his interviews. Bouzereau and Duncan wrote the book. source ↗
Star Wars, Mythmaking: Behind the Scenes of Attack of the Clones
Jody Duncan
Duncan reports on Lucas and the team making Attack of the Clones. This is a production account, not Lucas authorship or a personal recommendation. source ↗
The Sounds of Star Wars
J. W. Rinzler; foreword by Ben Burtt
The book documents the sound work for Lucas’s films. Rinzler’s original interview also discusses changes that Lucas requested. Lucas is not credited as the book author or foreword writer. source ↗
The Art of Star Wars
Carol Titelman (editor); screenplay by George Lucas
The book includes Lucas’s complete film script. Titelman edited the book; Lucas is not presented as its sole author. source ↗
The Art of Star Wars: Episode I — The Phantom Menace
Jonathan Bresman
Bresman documents the art and design of Lucas’s film. The checked catalog credits Bresman as the writer; this link makes no Lucas authorship claim. source ↗
Star Wars: The Blueprints: Inside the Production Archives
J. W. Rinzler
This is a technical production history of Lucas’s six Star Wars films, based on Lucasfilm archive drawings. Lucas is not credited as its author. source ↗
Creating the Worlds of Star Wars: 365 Days
John Knoll with J. W. Rinzler
Knoll and Rinzler document the visual work of Lucas and his film crews. The checked primary catalog credits Knoll with Rinzler; this is not Lucas authorship or a reading recommendation. source ↗
Star Wars: Frames
George Lucas (image selection)
Lucas personally chose the images in Frames. His role is image selection and curation; this entry makes no claim that he wrote all text or supplied any unverified foreword. source ↗
Walter Tandy Murch: Paintings and Drawings, 1925–1967
Walter Scott Murch, Robert Storr, Winslow Myers and Judy Collischan; foreword by George Lucas
Lucas wrote the foreword. His remarks on giving objects character are quoted in Carl Little’s first-hand book review; this is a partial contribution, not whole-book authorship or a reading recommendation. source ↗
The Star Wars Sketchbook
Joe Johnston
The collection presents Johnston’s design work for Lucas’s original Star Wars production. Johnston is the author and artist; no Lucas authorship, endorsement or personal reading claim is made. source ↗
Star Wars Art: Concept
Lucasfilm Ltd.; foreword by Joe Johnston; preface by Ryan Church; introduction by Doug Chiang; afterword by Erik Tiemens
Lucas curated the artwork. The collection credits Johnston’s foreword, Church’s preface, Chiang’s introduction and Tiemens’s afterword. Curation does not mean Lucas wrote or drew the whole book. source ↗
Star Wars Art: Illustration
Various artists; curated by George Lucas; introduction by Steven Heller; foreword by Howard Roffman
Lucas selected the illustrations. Rinzler’s original company account describes Lucas’s selection and approval of an added work, alongside the publisher’s arrangement and reproduction work. This is not a Lucas reading recommendation. source ↗
Star Wars Art: Visions
Acme Archives; foreword by George Lucas; introduction by J. W. Rinzler
Lucas curated the project and wrote the foreword. Acme Archives has the main publisher byline; Rinzler wrote the introduction. This is not whole-book authorship or proof of Lucas reading every contribution. source ↗
Doug Chiang: The Cinematic Legacy (Volume I) & The Star Wars Legacy (Volume II)
Alexandre Poncet and Gilles Penso; foreword by George Lucas
The publisher-supplied ebook contents list Lucas’s foreword on page 7. The set studies Chiang’s design career and collaboration with Lucas, including the prequels. Poncet and Penso are the main authors. source ↗
Walt Disney’s Uncle Scrooge McDuck: His Life & Times
Carl Barks; edited by Edward Summer; recolored by Peter Ledger; appreciation by George Lucas
An actual printed page 9 is headed An Appreciation, by George Lucas, and is signed by him. He discusses Barks’s narrative craft and earlier comics. The 1981 anthology is not treated as a childhood read or a blanket recommendation of every later edition. source ↗
The EC Archives: Weird Science Volume 1
Bill Gaines and Al Feldstein; with Harry Harrison and Gardner Fox; foreword by George Lucas; introduction by Grant Geissman
The EC archival publisher’s creator record confirms Lucas’s foreword and prints a short recollection of the adventures. This is a partial contribution to a reprint anthology, not authorship of the stories or a claim he read this 2022 edition as a child. source ↗
Christopher Lee: The Authorised Screen History
Jonathan Rigby; foreword by George Lucas
Lucas wrote a foreword for Rigby’s book. His casting remarks were quoted in a contemporary report; the selected revised 2007 edition is independently identified by the publisher-supplied record. Lucas is not the main author. source ↗
Telling Stories: Norman Rockwell from the Collections of George Lucas and Steven Spielberg
Virginia Mecklenburg with Todd McCarthy
The museum’s book record explicitly connects Lucas to both the collected works and McCarthy’s cinematic comparisons. Mecklenburg and McCarthy are the authors; no catalog authorship or reading claim is assigned to Lucas. source ↗
Star Wars Insider Presents Revenge of the Sith 20 Year Anniversary Special
Titan Magazines
The official sample on printed page 32 describes the concept-art team’s work for Lucas, including open-ended briefs and weekly reviews. Titan Magazines is the corporate writer. No direct Lucas interview or whole-book authorship is inferred. source ↗
Anticipation: The Real Life Story of Star Wars: Episode I—The Phantom Menace
Jonathan Bowen
Bowen studies the release of Lucas’s film and the surrounding company activity. It is an independent, explicitly pro-prequel account, not a book by Lucas or a recommendation from him. source ↗
Revenge: The Real Life Story of Star Wars: Episode III—Revenge of the Sith
Jonathan L. Bowen
Bowen’s original interview identifies this separate book and explains its release-history focus. It concerns Lucas’s film as a cultural and commercial event; Lucas authorship, reading and approval of the book’s claims are not implied. source ↗

In their own words

1

Books on their shelf

8
The Hero with a Thousand Faces
Joseph Campbell
Documented reading influence and publisher endorsementThe Campbell Foundation reproduces Lucas’s 1985 account of reading the book while working on Star Wars drafts. New World Library also prints his explicit praise. His edition and full reading extent are not established. source ↗
Kidnapped
Robert Louis Stevenson; introduction by Alexander McCall Smith
Named childhood reading interestIn the Academy of Achievement interview, Lucas names Kidnapped among adventure books he liked when young. This is a reading recollection; his edition and complete reading are unknown. source ↗
Treasure Island
Robert Louis Stevenson
Named childhood reading interestLucas names Treasure Island among adventure books he liked when young. This is his reading recollection, without a claim about the edition or completion. source ↗
The Adventures of Huckleberry Finn
Mark Twain
Named childhood reading interestLucas names Huck Finn among adventure books he liked when young. The reference is to Twain’s novel; his edition and complete reading are unknown. source ↗
Tales of Power
Carlos Castaneda
Named creative influenceIn Paul Scanlon’s 1977 interview, Lucas names Tales of Power while explaining an earlier Force idea connected with Ben Kenobi. Rolling Stone’s own Italian reprint uses the Italian title L’isola del Tonal. This is a named creative influence; his edition and reading extent are unknown, and no recommendation is implied. source ↗
Gullivar of Mars
Edwin L. Arnold; introduction by Richard A. Lupoff; illustration by Thomas Floyd; afterword by Gary Hoppenstand
Named research sourceIn American Cinematographer’s original 1977 account, Lucas names Arnold’s 1905 story while describing his research into the sources behind Flash Gordon and John Carter. He calls it Gulliver on Mars. This is a named research source, not proof of complete reading or a recommendation. The registry uses Bison’s full-text 2003 edition; Lucas’s edition is unknown. source ↗
The Lord of the Rings
J.R.R. Tolkien
Read and praisedIn SET Online’s 2002 interview, Lucas says he read The Lord of the Rings and praises both the book and the film. He also says he drew on mythology rather than attributing his ideas solely to Tolkien. The original Portuguese page survives in the Internet Archive; his edition is not identified. source ↗
Mutiny on the Bounty
Charles Nordhoff and James Norman Hall
Named teenage reading interestAsked about favorite teenage books and recommendations, Lucas names Mutiny on the Bounty among the seafaring books he liked. His edition and reading extent are unknown. This is a recalled literary interest, not a modern business-book recommendation. source ↗

Similar taste

Founders who share the most book recommendations with George:

Sources

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